Showing posts with label women's fiction. Show all posts
Showing posts with label women's fiction. Show all posts

Saturday, May 19, 2018

Grief, Black Holes & Particle Accelerators in the Enchanted World

“Regina, did you feel that?”
enchantment, magic, quantum reality

Her daughter waited with crossed arms on the side of the road. “What?” She cared little for her mother’s interests and concerns.

Regina’s father was a sorcerer from Kyrakkos. Soon after Josefina had given birth to a son, he’d taken the boy and left Faerie. Regina blamed her mother for her father’s abandonment.


stolen children, resentment

Josefina ran the back of her fingers against her cheek. Her skin felt warm. “That hot gust?”

Regina offered pursed lips and an impatient shake of her head.

Josefina returned her gaze to the bowl, the air remained still. With reluctance she wrapped the basin with the same thick cloth the dwarf had used to cover it. She re-tied the twine to create a handle. Despite its size, the bowl was light and easy to carry.

At night, Josefina slept with her hand resting upon the bulky package. Her dreams became vivid and troublesome. She kicked and moaned, often waking her daughter. Regina said nothing, only moved her pallet farther away.
what causes nightmares, anxiety

The pair veered from their original path and found themselves before the roar of the Great White Sea. Josefina quickened her pace. Regina dawdled.


magic, enchantment, mystery, metaphysical, visionary

Josefina knelt before the tide. She scooped up sea water with both hands and poured it into the bowl. When it was full, she carried the full basin back toward the beach, away from the waves.

An aching melody drifted above the roar of the ocean. Its forlorn sound sliced opened Josefina’s heart. The bitter loss of her son poured out. She bowed her neck and peered more closely into the basin. The song became louder and more anguished. The melody rose higher and higher, fluttering around the muannaye like a wounded bird.

A black flame unfurled beneath the water’s surface.


Einstein, black holes, theory of relativity

A magnificent illusion? Although it felt like her heart would shatter into infinite pieces, Josefina couldn’t avert her gaze.

The bowl grew warm to the touch. Josefina remained mesmerized. A promise rose from its depths, annihilation of both pain and joy.

Exquisite emptiness.

Josefina gazed into the Void.—Josefina and the Magic Basin, Isolt's Enchantment

Quantum Musings: A team of scientists announced on Thursday that they had heard and recorded the sound of two black holes colliding a billion light-years away, a fleeting chirp that fulfilled the last prediction of Einstein’s general theory of relativity.

That faint rising tone, physicists say, is the first direct evidence of gravitational waves, the ripples in the fabric of space-time that Einstein predicted a century ago … It completes his vision of a universe in which space and time are interwoven and dynamic, able to stretch, shrink and jiggle. And it is a ringing confirmation of the nature of black holes, the bottomless gravitational pits from which not even light can escape, which were the most foreboding (and unwelcome) part of his theory. — Dennis Overbye

Did the gravitational wave of Josefina's grief (black hole) over the loss of her son collide with the grief (black hole) of another mother—"a billion light years away"? Did the force of this "collision" excite quanta and/or ignite mirror neurons to manifest as heat? Did the basin serve as a conductor, the particle accelerator?

Richie Sambora's cool song "Church of Desire" captures Josefina's plight:

"Church Of Desire" of Lyrics:

Woke up in a cold sweat
In the middle of the night
Seems like a lifetime
When you're wondering who's wrong or right
One confession would resurrect the truth
Revenge or forgiveness for sins between me and you

Now we dance with the devil down lonely
Street, lonely street

Looking for a window in the house of tears
Living in hell, I pray the rain disappears
I'm headed for a breakdown
And the fever runs higher
As I kneel at the altar I can feel your fire
In the church of desire
Church of desire

You never find a reason why love falls from grace
Some kind of voodoo, like a spirit you can't embrace
There's a voice in the mirror, and a ghost in my heart
That relives the passion before we were torn apart

Now we dance with the devil down lonely
Street, lonely street

Looking for a window in the house of tears
Living in hell, I pray the rain disappears
I'm headed for a breakdown
And the fever runs higher
As I kneel at the altar I can feel your fire
In the church of desire
Church of desire

Now we dance with the devil down lonely
Street, lonely street

Looking for a window in the house of tears
Living in hell, I pray the rain disappears
I'm headed for a breakdown
And the fever runs higher
As I kneel at the altar I can feel your fire
In the church of desire
Church of desire
Isolt of the Waters is an ancient water elemental whose betrayal and enchantment has forever changed the Whole. When a young scholar in Idonne discovers her story, along with tales of dwarf magic and the birth of Umbra—a malevolent entity dwelling in the Void—he dreams of a life filled with adventure and heroism.
Ebook

Paperback

Tuesday, April 10, 2018

Daughter of Light $0.99 Sale!

Tuesday, March 13, 2018

Come Away, O Human Child

Illusion, magic, seduction ... a tangled knot of obedience and betrayal, loss and a desire for vengeance give rise to Isolt's enchantment.

Ahead, an enormous marble palace seemed to rise from the ground. Its polished turrets pierced a darkening sky. Isolt dropped Tarquin’s hand. Her elegant feet refused to take another step.  She wrapped her arms around herself to quell the uncontrollable shivering that possessed her. Tarquin faced her. His face swirled in a spiral. Isolt rubbed her eyes. All this marching. She was exhausted.

He held a key forged from a luminous dark metal in his palm. She let her gaze rise. His shock of blond hair and familiar broad shoulders shushed the foreboding within.

“This is our home,” he said. “Use the key to unlock the door. Please, so we can live here forever.”

With one hand cradling her belly, Isolt reached with the other. The metal was so smooth. So mesmerizing. Clutching the mysterious key, she walked slowly to the palace door. The key practically slipped itself into the lock. As she turned it, she looked back to smile at her beloved king.

He waved her on as she pushed opened the door.

A malignant force gripped her and yanked her within. The air reverberated. The walls of the palace disintegrated.

No one heard her cries.

Her first thought was of her son. There was no way to save him.—Isolt's Enchantment.

Loreena Mckennit sings about faery's and the seduction of a nameless human child in Stolen Child:

 

Stolen Child lyrics:

Where dips the rocky highland
Of Sleuth Wood in the lake
There lies a leafy island
Where flapping herons wake
The drowsy water-rats
There we've hid our faery vats
Full of berries
And of reddest stolen cherries

[Chorus:]
Come away, O human child
To the waters and the wild
With a faery, hand in hand
For the world's more full of weeping
Than you can understand.

Where the wave of moonlight glosses
The dim grey sands with light
By far off furthest Rosses
We foot it all the night
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight
To and fro we leap
And chase the frothy bubbles
Whilst the world is full of troubles
And is anxious in its sleep.

[Chorus]

Where the wandering water gushes
From the hills above Glen-Car
In pools among the rushes
That scarce could bathe a star
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams
Leaning softly out
From ferns that drop their tears
Over the young streams

[Chorus]

Away with us he's going
The solemn-eyed
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast
Or see the brown mice bob
Round and round the oatmeal chest.

[Chorus]

For he comes, the human child
To the waters and the wild
With a faery, hand in hand
For the world's more full of weeping
Than you can understand.
Isolt of the Waters is an ancient water elemental whose betrayal and enchantment has forever changed the Whole. When a young scholar in Idonne discovers her story, along with tales of dwarf magic and the birth of Umbra—a malevolent entity dwelling in the Void—he dreams of a life filled with adventure and heroism.
Ebook

Paperback

Sunday, March 4, 2018

We Will All Know Joy

In Isolt's Enchantment the story of a young priest in Idonne—Ryder—intertwines with tales about the origin of the Whole and the history of several magic artifacts that will figure largely in Daughter of Light.

The day came when the dwarf god crawled for the third time from the depth of Una’s belly. Blackened with soot and ash, he labored beneath a magnificent fiery wheel. The wheel flung energy far and wide from the core of its rotation. Vulcan roared, “I name this the Sun.”

A great light followed in the wheel’s wake, dispelling the darkness.

“What have you done?” Una exclaimed, “I can see all that I am, and I am glorious!”

It took all Vulcan’s strength to heave the flaming ball into the heavens where it would dance with the moon, like a lover, across Una’s starry skies until the end of time. “The Sun will be recognized as my most marvelous creation.”

Indeed it was, for Vulcan’s magic created a light which would rise each day from the east, spreading its potent, life-giving force upon Una’s fecund belly. Each night it would set in the west, as the moon appeared amidst the sparkle and shine of millions of twinkling stars.

“It’s breathtaking,” Una murmured. “Can I ever thank you?”

“I will bring my people here. They will nurture you to spectacular abundance. We will all know joy.” — Isolt's Enchantment, Isolt's Enchantment

Suffice it to say the road to joy will be a long and one winding one ...

I love this guitar cover of George Winston's Joy. It has the feeling of creation.


Isolt of the Waters is an ancient water elemental whose betrayal and enchantment has forever changed the Whole. When a young scholar in Idonne discovers her story, along with tales of dwarf magic and the birth of Umbra—a malevolent entity dwelling in the Void—he dreams of a life filled with adventure and heroism.
Ebook

Paperback

Saturday, March 3, 2018

Who Do We Owe?

And what do we owe them?

Anton straightened the front of his robes and folded his hands before him on the desk. “You romanticize danger and risking your life. But the world beyond these walls is not what you think it is. You’re safe here in the citadel—”

“A safety that is suffocating me. Must my body weaken and my spirit wither while I am still young?”

A shadow darkened Anton’s pale blue eyes. “Fate brought you to the Order. You’re a gifted scholar. And soon you’ll be a gifted priest.”

“I will soon be a man. One with ties to no family. I would choose my own future.”

Anton pushed his chair back with a loud scrape. He stood up and leaned across his desk. “The Order of Idonnai has invested in you. We’ve fed you, sheltered you, and trained you. You owe us your allegiance.” He paced.

“Your demand I pay with my life’s blood for not drowning me like an unwanted kitten is unfair! I’m nothing more than a slave here.”

Ryder didn’t see Anton’s hand, but he felt the crest of the ring cut his lip as his head jolted to the side. He relished the sting as he licked blood from his lip.

Anton stepped back. “You will take your vow!”

Any gratitude or indebtedness Ryder had ever felt toward Anton or the priesthood leached from him. He controlled his impulse to pummel the priest, but his entire body shook with the effort. He would not take the Oath of Non-Interference, because he would never commit his mind, or his body, or his heart to a life of inaction. The Idonnai Guard, Isolt's Enchantment

If our life does not belong to us, who does it belong to?

The melodic movement of Michael Hedges' instrumental piece Aerial Boundaries captures the dance of Ryder's determination to move beyond the limits Anton and the priesthood  have set for him.



Isolt of the Waters is an ancient water elemental whose betrayal and enchantment has forever changed the Whole. When a young scholar in Idonne discovers her story, along with tales of dwarf magic and the birth of Umbra—a malevolent entity dwelling in the Void—he dreams of a life filled with adventure and heroism.
Ebook

Paperback

Friday, March 2, 2018

A Slave to Matter

Is there an unseen force that drives Life? If we can’t see it, how can we communicate with it? Can we feel it? Could our bodies—in their totality—crassly be referred to as wetware for Cosmic Consciousness? Does an obsessive drive for external information (facts and events as defined by a limited human point of view) and wealth (owning, collecting, and/or amassing matter) distort dumb down numb shut off our physiological transmitters?

In the chapter Koldis, an ambitious member of a wealthy scholastic order in the business of hidden knowledge prioritizes his rise in the priesthood’s hierarchy. But he’s blinded—figuratively and literally—figuratively by a quest for immediate gratification and literally by the Sand Gypsies.

A slave to matter, he's blinded by all that glitters and dismisses all that he cannot "see."

Anton bowed his head in a show of obeisance.

Cashel, the head of the Order of the Idonnai, motioned him to sit.

The elder priest removed a dull leather pouch from the desk. He passed it from hand to hand. The unmistakable clink of coins filled the silence between the two men. “We’ve received word from Typhos,” Cashel said. “A sailor claims to possess an artifact of great interest to us. If the offer proves genuine, I’d like you to purchase it for the library’s collection.”

Although he was curious as to what the object might be, Anton didn’t ask. Reticence was a trait valued by the Order, and the young priest had long molded his character to gain approval from his superiors. He remained silent as he held out his hand.

Cashel made as if to give him the bag. His hand froze. “You must speak of this to no one.”

“Of course not.” The weight of the bag hit Anton’s palm. Gold. He would be required to make an accounting of the coins upon his return. He counted them out now while the elder priest watched. He raised his eyebrows.

“You’re authorized to negotiate the price of the sale. However, I prefer you pay all the gold in that bag than let the artifact be sold to another buyer.”

Anton’s subtle smile was genuine. To be trusted with such a mission assured his continued rise in the Order’s hierarchy. — Koldis, Isolt's Enchantment

Presenting Rebecca Ferguson's Glitter & Gold:


Lyrics:

How good or bad, happy or sad
Does it have to get?
Losing yourself, no cry for help
You don’t think you need it

And old friends are just a chore,
But now you need them more than ever before

All that glitter and all that gold
Won’t buy you happy
When you’ve been bought and sold
Riding white horses, you can’t control
With all your glitter
And all of your gold
Take care of your soul
Take care of your soul

How high, how low, how on your own
Are you gonna get?
Because
Losing your soul, will cost you more
Than the life you’re paying for

And all those friends you left behind
You might need ’em when it’s cold outside

All that glitter and all that gold
Won’t buy you happy
When you’ve been bought and sold
Riding white horses, you can’t control
With all your glitter
And all of your gold
Take care of your soul

One day you’re gonna wake up and find that
New dream is losing its shine and
Nobody is by your side
When the rain comes down and you’re losing your mind

So, who you gonna run to?
Where you gonna hide?
Glitter and gold
Won’t keep you warm
On those lonely nights

And all those friends that were such a chore
You’re gonna need them more than ever before

All that glitter and all that gold
Won’t buy you happy
When you’ve been bought and sold
Riding white horses, you can’t control
With all your glitter
And all of your gold
Take care of your soul
With all of your gold
Take care of your soul
Take care of your soul
Isolt of the Waters is an ancient water elemental whose betrayal and enchantment has forever changed the Whole. When a young scholar in Idonne discovers her story, along with tales of dwarf magic and the birth of Umbra—a malevolent entity dwelling in the Void—he dreams of a life filled with adventure and heroism.
Ebook

Paperback

Thursday, March 1, 2018

The Meaning of Celeste is "Heavenly"

The Delphinus choir sang as they always did at twilight. Their mysterious harmony filled the birth room with spiritual hope and yearning. Celeste’s spirit soared. She envisioned her soul climbing the peak of Mount Azyllai. The pain that made her delivery so difficult melted away. The gods would bless her son.

Rays of eternal light parted the threatening wall of shadows. Celeste thought of the fine reed basket, pale downy blanket, and luminous seashell rattle nestled therein. In her mind’s eye, her newborn son gripped the kingly noisemaker and beamed. — Excerpt from The Stargazer, Isolt's Enchantment 

If quantum reality is reality, then our experiences are rooted in a vast interconnected invisible world, and the love of a mother for her child transcends life and death.

Loreena Mckennit's The Old Ways is the perfect song to capture this bittersweet birth of a child in the land of Idonne.


Lyrics:

The thundering waves are calling me home, home to you
The pounding sea is calling me home, home to you

On a dark new year's night
On the west coast of Clare
I heard your voice singing
Your eyes danced the song
Your hands played the tune
T'was a vision before me

We left the music behind as the dance carried on
As we stole away to the seashore
We smelt the brine, felt the wind in our hair
And with sadness you paused

Suddenly I knew that you'd have to go
Your world was not mine, your eyes told me so
Yet it was there I felt the crossroads of time
And I wondered why

As we cast our gaze on the tumbling sea
A vision came o'er me
Of thundering hooves and beating wings
In clouds above

As you turned to go I heard you call my name
You were like a bird in a cage spreading its wings to fly
"The old ways are lost," you sang as you flew
And I wondered why

The thundering waves are calling me home, home to you
The pounding sea is calling me home, home to you

The thundering waves are calling me home, home to you
The pounding sea is calling me home, home to you
Isolt of the Waters is an ancient water elemental whose betrayal and enchantment has forever changed the Whole. When a young scholar in Idonne discovers her story, along with tales of dwarf magic and the birth of Umbra—a malevolent entity dwelling in the Void—he dreams of a life filled with adventure and heroism.
Ebook

Paperback

Wednesday, February 28, 2018

Isolt's Enchantment & Holy Water

One day she gave birth to a daughter, beautiful, vivacious and flowing. Una said, “I shall name you Isolt of the Waters, for you have brought with you all the springs, rivers, lakes, and oceans.” — Isolt's Enchantment

Water—from its supernatural qualities, especially potent in the enchanted world's Great White Sea, to its source of energy, inspiration, and wisdom throughout Melia's journey—serves as the passageway between the enchanted and mortal worlds and is a significant actor in Daughter of Light cosmology,

It's curious that, even today, water's unique qualities cannot be explained by quantum mechanics. Probablitity waves, definite states, pilot waves, quantum coherence, tunneling ... no one's figured out water's quantum magic. But we do know:

-- every organism we know of needs water to survive. In fact, without water, life on Earth would have never begun. 

So we'll begin our journey today with an ode to Isolt of the Water's dark enchantment, Holy Water by Big & Rich.
Lyrics:

Somewhere there's a stolen halo,
I used to watch her wear it well.
Everything would shine wherever she would go,
But looking at her now you'd never tell.
Someone ran away with her innocence
A memory she can't get out of her head.
I can only imagine what she's feeling
When she's praying kneeling at the edge of her bed.

And she says
“Take me away,
Then take me farther,
Surround me now,
And hold, hold, hold me like Holy Water.
Holy water.”

She wants someone to call her angel,
Someone to put the light back in her eyes.
She's looking through the faces and unfamiliar places.
She needs someone to hear her when she cries.

And she says
“Take me away,
Then take me farther,
Surround me now
And hold, hold, hold me like Holy Water.

She just needs a little help
To wash away the pain she's felt.
She wants to feel the healing hands
Of someone who understands.

And she says
“Take me away,
Take me farther,
Surround me now,
And hold, hold, hold me,

She says:
“Take me away
Then take me farther,
Surround me now,
And hold, hold, hold me like Holy Water.
Like Holy Water,
Like Holy Water,
Like Holy Water.”
Isolt of the Waters is an ancient water elemental whose betrayal and enchantment has forever changed the Whole. When a young scholar in Idonne discovers her story, along with tales of dwarf magic and the birth of Umbra—a malevolent entity dwelling in the Void—he dreams of a life filled with adventure and heroism.
Ebook

Paperback

Tuesday, February 27, 2018

Daughter of Light and Quantum Engtanglement

War & Grace, the final installment in the Daughter of Light trilogy will FINALLY be available on March 20 (the first day of Spring)! Beginning tomorrow, and for the following 90 days, we’ll be traveling through the series with excerpts from the different books, quantum musings and inspirational songs.

Like many (most?) (all?) contemporary fantasy authors, I read Lewis’s Chronicles of Narnia as a child and the major Tolkien works (The Hobbit and The Lord of the Rings) as a young teen. It’s common knowledge that Tolkien and Lewis were friends, professional colleagues and that they both professed a personal faith in Christianity which inluenced their respective works.

tolkien and lewis friendship, tolkien and lewis writing group, inklings

The Lord of the Rings was a huge and direct inspiration for Daughter of Light, but—of course!— changes had to be made. Who wants to retell The Lord of the Rings when it’s already been told so well?

the lord of the rings, sauron

What were the designed changes (made over a decade ago) in Daughter of Light?

  1. The protagonist along with a multitude of other major characters are female. 
  2. While Tolkien’s cosmology pre-dates contemporary history, the Realm of Faerie and the rest of the enchanted world in Daughter of Light exist parallel to the mortal world. There's a (quantum) exchange of energy between the two. 
    parallel worlds meaning, parallel worlds theory
  3. The Primal Essence, the Parallel of Shadows, and the Void in Daughter of Light are quantum realms. 
    quantum physics
  4. Language, style of dress, the attitudes and experiences of the characters in Daughter of Light travel much closer to modernity. 
    half faerie, tatou, melia, daughter of light
Thus, Daughter of Light explores and relies on the newer ideas of quantum mechanics and how reality forms. QUANTUM ENTANGLEMENT is at the heart of the story … “quantum entanglement … predicts that changing one particle instantaneously changes the other — even if they are on opposite sides of the galaxy, 100,000 light-years apart.”

quantum universe theory

In Daughter of Light, Isolt’s enchantment is the seed of that quantum entanglement, crossing the boundaries of time and space, planes and multiple hearts and lives …
Isolt of the Waters is an ancient water elemental whose betrayal and enchantment has forever changed the Whole. When a young scholar in Idonne discovers her story, along with tales of dwarf magic and the birth of Umbra—a malevolent entity dwelling in the Void—he dreams of a life filled with adventure and heroism.
Ebook

Paperback

Tuesday, September 1, 2015

Ordinary Women and Mothers as Heroes

I love a gritty thriller, good vs. evil in the ordinary world, and I just finished reading White is the Coldest Color by John Nicholl. It's an easy read, whipped through it in a couple days. The gist of the story: an esteemed child psychiatrist, Dr. David Galbraith, is the virulent head of a pedophile ring. What I enjoyed about the book was the characters. Specifically, the depiction of Galbraith, Molly Mailer, and Galbraith's wife, Cynthia, introduced in chapters 1, 2 & 3, respectively.

Galbraith is portrayed as psychologically and emotionally dependent on his prey. Fueled by his arrogance, this dependence is his motivating force. He comes across as a very weak and shabby person. Which, of course, is awesome, and also truthful. His misogyny is also clearly on display. Which I also liked—not the misogyny, but how the story drives home that women-hating is an essential characteristic of such a monster.

SPOILERS AHEAD!

Molly Mailer is the mother of Galbriath's next victim. She's quite the ordinary woman, what with her marriage falling apart because her husband has moved in with "some Tart" and her teenager daughter sneaking out at night and her young son wetting the bed and socially withdrawing as the result of his father's abandonment. Hers is not the glamorous life. But if Molly is anything, she is the "good enough" mother. And this infuriates Galbraith. Molly watches out for her son, and this makes it increasingly difficult for the doctor to assault him. I appreciated how Nicholl showed Galbraith's rage at Molly for obstructing his soul- and life-killing cravings. By simply being herself, Molly inadvertently protects her son from a serial predator who is not even on her radar due to his social veneer.  For this alone, Molly is a hero. However, when Galbraith loses control and physically assaults her, the stakes are raised. She survives and will be the one to definitively identify her son's abductor.


Galbraith's wife, Cynthia is portrayed as the classical abused wife. Transformed into a trembling, obedient figure, she never challenges her husband. Again, the doctor's internal dialogue concerning his wife displays his deep misogyny and arrogance. So when Cynthia rises to the occasion at the end of the story, it's quite satisfying.

Since I've finished the book, I've thought about how much I enjoyed Galbraith's defeat by two women who were—as far as fiction goes—quite ordinary women and mothers. And how those two—quite ordinary women and mothers—were transformed into memorable heroes.

Because of the way the dark subject matter was handled in the book, I wasn't surprised to learn that Nicholl has served as a police officer and child protective officer in the UK. An exclusive interview of Nicholl can be found here: Poetry and Chocolate and Books.

Sunday, November 10, 2013

The Mother & Child


Heather Baker—the main character in the original fairy tale The Girl Who Couldn't Singproduced a CD, The Faith of a Crucified Child, and a DVD, My Name is Heather Baker, Welcome to My World.

Today, I wanted to share a special clip from the DVD and a special mp3 from the CD. 


In today's DVD clip, Heather shares her belief about the sacred relationship between a mother and her child.



Although, Heather follows no particular religion, her faith in a higher being—that she often refers to as god—saturates her fundamental life philosophy.

In the song, A Mother's Prayer, Heather approaches that higher being, heart heavy with guilt from years of denying her relationship with her mother, at the behest of her father. Although she was very young, when the initial rejection occurred, her feelings of guilt—logical or not—are very real.


mp3: A Mother's Prayer


As a result of acknowledging and expressing that guilt, Heather experienced a deep healing. Reborn from that experience, her ultimate message is one of triumph and joy.


Read the rest of her hopeful story

Friday, November 8, 2013

My Name is Heather Baker, Welcome to My World


In 2005, Heather Baker—the main character in the original fairy tale The Girl Who Couldn't Singproduced a DVD.

My Name is Heather Baker, Welcome to My World is a fresh, irreverent journey into one woman's psyche.

Get links to songs from the original CD & full DVD in the book
 
Feeling out of place, but determined to make sense of it all, Heather uses different voices to chronicle her inner excursion, and we are invited along for the ride.

Whether it's dealing with darker fare like her mother's mental illness, quirkier subjects like her interest in astrology, or her obsession with the story of Seabiscuit, Heather uses her depth of insight, and zany sense of humor, to bring us all along with her.

The end result: We all enjoy the trip.

The DVD features several previously unrecorded songs: The Deep Blue Sea, Time and You, Broken Dolls, She Never Dyed Her Hair, and The Beach.

In this first clip, Heather introduces her multiple personalities, and discusses her ambivalence about her inner journey.



Perhaps, she's ambivalent about her inner journey, because troubling things lurk in the depths…

mp3: Modern Day Art




~ Excerpt  ~

Once upon a time there was a woman who didn't smile. She lived with a stern frown etched upon her face. On occasion, fleeting delight would catch her--like a doe in the headlights. Her lips would curve upwards, or she'd find herself unable to stifle a laugh, and someone would inevitably pronounce, "You have a beautiful smile."


She would pass the palm of her hand over her face, erasing all signs of glee, and grimace for the rest of the day in devoted penance, because life was a vale of tears and suffering, especially for women. That's what her Bible said, at least--and the misogynists.


The woman wasn't a particularly young woman, nor was she a particularly old one, but she wasn't quite middle-aged either. A late bloomer, with the planet of Neptune conjunct her Mid-heaven, she had a hard time distinguishing between fantasy and reality…


The three short stories, The Girl Who Watched for Elves, The Girl Who Dreamed of Red Shoes, and The Girl Who Couldn't Sing, chronicle the journey of a girl who believed in fairy tales and are a prelude to the Once Upon a Time Today collection.

Wednesday, November 6, 2013

The Girl Who Couldn't Sing



When life gets tricky, Heather Baker meditates on fairy tales.

She can't sing... Yet.


But, maybe, with:

  • A few more voice lessons, 
  • A music degree, and
  • Enough practice, 
Heather Baker's dreams of becoming the next indie singer/songwriter sensation will come true.

Enticed by Neptune, the planet that rules everything hazy and glamorous, and dogged by Saturn, the planet that rules obstacles and eveything practical--she bounces between fantasy and reality.


Which planet will win?

~ Excerpt  ~

Once upon a time there was a woman who didn't smile. She lived with a stern frown etched upon her face. On occasion, fleeting delight would catch her--like a doe in the headlights. Her lips would curve upwards, or she'd find herself unable to stifle a laugh, and someone would inevitably pronounce, "You have a beautiful smile."


She would pass the palm of her hand over her face, erasing all signs of glee, and grimace for the rest of the day in devoted penance, because life was a vale of tears and suffering, especially for women. That's what her Bible said, at least--and the misogynists.


The woman wasn't a particularly young woman, nor was she a particularly old one, but she wasn't quite middle-aged either. A late bloomer, with the planet of Neptune conjunct her Mid-heaven, she had a hard time distinguishing between fantasy and reality…


The three short stories, The Girl Who Watched for Elves, The Girl Who Dreamed of Red Shoes, and The Girl Who Couldn't Sing, chronicle the journey of a girl who believed in fairy tales and are a prelude to the Once Upon a Time Today collection.