Tuesday, December 15, 2015

The Illusion is That We are Not Loved

Eww. I inadvertently came across a troubling account of a popular spiritual teacher on the internet. I read the whole thing and even taking it with appropriate skepticism—it being one-sided and all—it left me feeling nauseous. One of the most disturbing aspects of “spirituality” is the teacher’s dark side. Whether the teacher is a New-Age pimp or the descendant of a revered Buddhist lineage or a smarmy Protestant tele-evangelist or a pedophile Catholic priest, spiritual teachers possess a dark side. Because they are human. And humans are both dark and light, from birth til death, we all cast a shadow. (Unless of course you’re Lily Dane … hehe!) Whether the teacher is ordained upon their own authority, anointed by a master (who was anointed by a master…), or blessed by a religious hierarchy, all spiritual teachers are human. Always a good thing to remember. Best not to sit at their feet.

Anyway … on top of that, I got halfway through Sri Aurobindo’s The Integral Yoga (which is quite long!) and was like, okay, enough already. I need to take a break from all these other people’s thoughts and ideas and get back into my own reality! So, this is going to be my last Sunburned post of the year. For I don’t know how long, more than a couple decades, I’ve taken the last couple weeks in the year to contemplate the year that is ending. It’s time for me to set aside researching, etc. and do just that.

I’ll leave you with one of my current beliefs (a newer revelation for me, and one I’m still integrating): The illusion is that we believe we are not loved. In truth, we are deeply loved by God, Our Creator, Source, The Cosmos, The Divine, THAT THING, whatever you want to call it. In fact, we swim in a cosmic soup of love. However, because we’re conditioned to seek love (approval) from our parents, siblings, friends, lovers, husbands, wives, children, teachers, bosses, etc., who will always fail at loving us perfectly because, well, that’s not their purpose, we fail to create a relationship with the source of unbounded love that is always available to us.
Our purpose is to manifest the truth of who we are individually. (Yes, that’s my current belief, and has been for awhile!) In that endeavor, we will love. But none of us will love perfectly. Best to remove that pressure from ourselves and others. And know that the more we are able to experience the love of the divine, the closer we will come to being the human we were born to be. (That at least, is one of the things I’ll be going off and contemplating for the rest of the year … and probably for a long time thereafter!)

Yes, the post on the Christian mystics is coming! Most likely in January. So until then, peace, love, and joy to you!

Tuesday, November 3, 2015

Talking the Talk

One of the challenging aspects of discussing/writing about spirituality is the secondary language required. Each established religion and spiritual discipline has its own distinct lingo, vernacular, vocabulary. For example:
  • Christian: Father—Son—Holy Ghost
  • Hindu: Brahman-Maya-Atma
  • Nondual: Absolute—Relative—Immanent
Loosely translated, these three terms point to: THAT THING that animates all creation, the creation itself, and the inward essence of the created, respectively.

For the uninitiated, this “spiritual speak” makes things more laborious and/or out-of-the-realm of ordinary experience than they actually are. However, once you’ve been minimally exposed to “spiritual language”, you might just discover that you’ve had numerous spiritual experiences—without any effort at all—throughout your life, or perhaps even had a “spiritual awakening” yourself!

That blissful moment at the peak of the mountain you hiked five days through the wilderness to reach, the precise moment you fell in love with your soul mate, that afternoon you walked past the pet store and that gray tabby kitten stopped You with an extended paw—asking you to adopt it, the rush of your heart at the season’s first snowfall; these moments where we feel intensely connected to the world we inhabit and/or THAT THING that created it are spiritual experiences, awakenings, if you will.
Now, “awakening” is one of those spiritual terms that can point to many different things.
  • awakening: a multiplicity of fleeting yet inspiring direct encounters with THAT THING: answered prayers, experiences of unbounded love, flashes of insight, moments of clarity, prophetic dreams and/or visions
  • Awakening: a shift in consciousness that usually manifests as a significant alteration in the trajectory of one’s life
  • AWAKENING: the ego-ic identity/separate self dissolves into the infinite once and for all

Whew!

Not unusual for us as a species, we’ve managed to take something quite natural, something inherent within us all, and overlay it with belief systems/complexities/and jargon that—well, makes the skin on the back of my ears burn!—pass the aloe vera gel, please.

Commandments, laws, instructions, rituals, scriptures; we’ve created a great wall of words to disconnect the average person from their most numinous experiences. We hand over the right to determine the meaning of our lives and our innermost realities to religious hierarchies (bureaucracies?) and/or spiritual masters—or reject meaning altogether.

Does it have to be so complicated? So complicated that even to talk about it, we have to learn a veritable second or third language? The thing is: once you really start listening to people from different religions and spiritual traditions talk, you realize they’re often discussing, if not the exact same things, then at least very similar things: The creation of the cosmos, the individual experience of the divine, and the relationship between the two.

Okay, in simplest terms, hehe.

But simple isn’t necessarily bad.

If you start with simple, its easy to add on whatever froufrou stuff appeals to you.

Now I’ll be the first to admit that these topics are fascinating, and perhaps the most vital to our evolution; so I’m not knocking anyone who is driven to invest their energy and life into sorting out all this language. That’s an honorable and worthy path.

I’m just not convinced the froufrou stuff is absolutely necessary to the experience.

On Friday, I’ll introduce you to Kiran, Mystic Girl in the City, who has a gift for translating spiritual speak into everyday language.

Friday, October 30, 2015

The Prayer Cycle

In July of this year, I finished writing Half Mortal. I felt the wonder of that achievement. Then the sense of standing on a precipice swept over me. I was preparing to write the final installment of this “work” that I’ve devoted so many years of my life to. I wanted to move forward, but I also wanted to cherish the final stage of this particular journey. I paused, took a deep breath, and began listening to The Prayer Cycle each morning.

The Prayer Cycle is a nine-part contemporary choral symphony in twelve languages created by film and television composer, Jonathan Elias. I picked up the CD in London soon after its release and immediately fell in love with it.

Here’s a great 4-min clip of Elias discussing the creation of The Prayer Cycle.



And, here’s a video of the first movement, Mercy, featuring Alanis Morissette and Alif Keita singing in Hungarian and Swahili.



The eight other tracks are: Strength (German), Hope (French), Compassion (Latin), Grace (Italian), Innocence (French), Forgiveness (French), Benediction (German), and Faith (German).

I’d planned on listening to this particular choral/orchestral work as inspiration seed for War & Grace for quite some time, and was looking forward to whatever it might open up in me, creatively.

Not surprisingly, after a few mornings of absorbing it’s beauty, a deeper hunger that had seemingly slept soundly for years re-awakened. It soon became clear that I longed to return to the depths that had nourished and sustained me in my twenties.

Although what I experienced this summer was dramatically different than that trying time, I began to realize that I was spiritually depleted. I’d made a promise to myself to write War & Grace in an atmosphere of devotion, joy, and love. But I knew, in order to do that, I’d need to reorient myself at a deeper level.

Tricky stuff, that.

Earlier in the summer, I’d discovered Elephant Journal, an online magazine, and had enjoyed reading some of their articles. It was there I came across a video about 5 Pitfalls of Spiritual Awakening by Kiran, Mystic Girl in the City.

As I sat there that morning and listened to Kiran’s short talk, walls came down.

She was speaking directly to what I’d experienced those five years in my twenties, in a way I’d never heard anyone speak to it before. Back then, whenever I’d tried to share what I was going through, meds were most often suggested.

Because what I was feeling, the grief I was experiencing, was so intense.

I, however, steadfastly ignored the suggestion to medicate myself, just persisted in my blind stubbornness, and more and more, found myself spiraling inward on my own.

In the end, when almost everyone had fallen away, three unexpected but cherished companions remained. And with them, in a place where the sun ruled the skies, and the endless horizon of the desert fed my bereft spirit, dwelling in a city that sat on one of the most humble of international borders, I found that stable center.

Inside of me.

I came to call it my soul flame, that light that burns inside me, that light that burns inside us all, that flicker of divinity that we are free to nurture.

Flora fiddled with her kerchief. “Mortal bodies are dense. Much denser than the bodies of any creature in Faerie—or the enchanted world. If mortals don’t tend rather vigorously to their soul flame, their spirit and awareness gets dampened. Muddied,” she said. “They lose the ability to see clearly and make all sorts of regretful decisions. But when the body falls away in death, if the mortal’s soul flame has any strength at all, it survives."Half Mortal, (Daughter of Light Book #2)

On Tuesday, I'll be addressing how "spiritual language" complicates things.

Tuesday, October 27, 2015

The Spiral Inward

I had my first spiritual shift when I was in my early twenties. After receiving some rather devastating news, the person I knew myself to be up to that point in my life simply fell away. It was abrupt, disorienting and disconcerting, like walls crashing down, and me left standing there, defenseless. When I turned out the lights and crawled into bed each night, a single blazing question haunted me: Why am I here on this planet?

I didn’t know. Nothing made sense anymore. The conveyor built of my lift had broken down. While my peers pursued careers, relationships, and began having children, creating families of their own, I would sit tongue-tied among them. Until I stopped sitting among them at all, because it was simply too uncomfortable for all of us.

I was being pulled more and more inward. But I had no idea about how to proceed. Even so, I applied a blunt stubbornness to this seeming anti-drive consuming me. I say anti-drive because it didn’t appear that I was being driven toward anything, I was only being driven away from everything that I’d thought was normal up to that point.

For the person who I’d been, very focused, very linear, the experience was disconcerting. Everything I’d believed myself to be, every image I’d envisioned for my future, the people who’d formed the core of my life, were gone. No longer available to me. Because an inward force was pulling me away from all that, toward what?

I hadn’t a clue.

At that time, I experimented with returning to the religion of my youth. However, once again, it didn’t take. I floundered through 12 step groups, astrology readings, consciousness raising groups, psychotherapy, depth psychology, new age philosophies, yoga, varieties of bodywork … whatever held out some hope of helping me restore a stable center. Because, really, that’s what I was searching for. Born from sheer desperation, rather than any quality of saintliness or desire to be “spiritual”, I was seeking a stabilizing force.

At the core of that journey was a deep grieving for the loss of the relationship with my mother. The woman who’d taught me to pray at night:

Now I lay me down to sleep
I pray the Lord my soul to keep.
If I should die before I wake,
I pray the Lord my soul to take.


My mother and her family were steeped in religion. My father and his family were not. I was always blessed with seeing the merits of both arguments: The one for God; and the one for faith being only a fantastical pursuit which, in the end, would yield nothing.

That inner conflict has always set me at odds with organized religion. On the one hand, I’ve had my own personal experience of the divine (thus, ordinary mystic) but I’ve always found the attitudes of organized religion to be onerous, whether it’s been the use of guilt and/or fear as primary persuaders or the hypocrisy and hunger-for-power of its all-too-human practitioners.

The religious/spiritual landscape more often than not has left me feeling turned-off. Yet I’ve never been able to suppress this yearning, this hunger, completely. And I’m most centered, joyful and productive when I’m engaged with THAT THING, call it whatever you like. In my heart, and in my head, and in my writing, I call it many names: God, the divine, that energy, the infinite, THAT THING.

And yet, I tend to wander off the path.

About five years after my initial shift, I began to re-engage with the external world. The experience of the divine, my connection with THAT THING, eased from the center of my life to the periphery. It never went away completely, but nor did it consume me as it had for those first five years. My life unfolded, and it seemed that the “inner gold” I’d mined in those precious five years, kept me going for over two decades. I no longer searched for a spiritual home. And since I’ve never had faith in spiritual teachers—there are just too many horror stories of students being led astray and/or abused by all too human gurus and/or priests—I was content to muddle along my way, mostly on my own.

And then … (Come back for The Prayer Cycle on Friday!)

Tuesday, October 20, 2015

Is Being Spiritual Being Weird?

I made the changes to my social media accounts and website to prepare for the Sunburned blog series on the evening of October 12, 2015. That morning, I realized a new moon was pending, so I searched Youtube for some insight. Astrology often gets a bad rap, and I’m not here to defend it’s limitations, but “on earth as it is in heaven” [the lord’s prayer, christian], “as above, so below” [hermes trismegistus, pagan] … a little spiritual riffing there, hehe … so, on occasion I enjoy listening to the astrological mystics.

And that morning, I stumbled upon this crazy, weird, and completely wonderful video created by Timothy Halloran of Rasa Lila Healing [rasa-lila roughly translates to "the dance of divine love”, hindu], which I’ve embedded below. And as I watched the video with a huge grin on my face—for sure—I thought yes … Yes … YES!

Because, unless you’ve been super busy and/or massively overwhelmed you’ve probably noticed “the times they are a changing” [bob dylan, singer/songwriter].

What was it about this video, on that morning, that so enchanted me?

Well, if I had to narrow it down to a single quality, it would have to be it’s exuberant weirdness! And if there’s one word I’ve fallen back on to describe myself again and again throughout my life it’s: weird. So … I felt a really special kinship with Timothy’s passionate call to embody [I’ll be creating a glossary with my current definition of spiritual terms along the way, soon …] our own special brand of weirdness, because …

"the uniqueness that makes us totally weird is our individual brilliance and we cannot suppress any of that if we truly want to live in harmonious relationships”

I totally concur with this point of view, and it was awesome to connect with such an impassioned expression of it on the day I embarked on a new endeavor … which might be considered: kind of weird!

Other issues Timothy addresses as he walks us through the astrological aspects occurring in the skies are: equality, the divine feminine and masculine principles, our need to listen to others’ points of view to evolve, and what it’s like to live on the edge of profound change.

In the end, he touches on another concept that is near and dear to my heart: Bridging. He addresses bridging on two levels: within the individual—the bridging of our highest spiritual ideals with our mundane, “selfish” desires; and within community—the bridging of the “unique autonomous individual, doing my thing in the world, and my thing that I’m doing in the world is simultaneously contributing to the benefitting of others”

This video is such a great share for kicking off Sunburned, because the essence of what I believe spirituality is:

“By giving my uniqueness I create harmony in the world”

Allow that to settle deep within you.


Thank you, Timothy for helping me kick off this series. Everyone else, take a 30-minute break and enjoy the dance of Rasa-Lila’s vibrant cosmic perspective yourself. I'll be back on Friday.

Tuesday, August 18, 2015

Wands & Staffs

In both fairy tales and fantasy, wands (the fairy godmother’s wand in Cinderella) and staffs (Gandalf’s staff in The Lord of the Rings) are used to call and/or invoke magic. These talismans usually serve as conduits for magical energy, and their linear shapes direct a spell or other enchantment according to its bearer.

Don’t you wish you had a magic wand … that would leave your home sparkling from top to bottom with a flick or a wrist?

Or maybe a powerful staff that could freeze time … while you figure out your next best move?

I won’t post a spoiler about how Hermes’ Wand is used in Daughter of Light, but I will share a snippet of its creation from Isolt’s Enchantment:

The dwarf god possessed as much skill over wood as he did over metal. He cut a branch from a towering white oak.

The spirit of the tree emerged. Crimson stained her fingers. She staunched the flow of blood from a gash in her side. “You bereave me with no consideration?”

Vulcan fumbled for words. His glance darted between the wood in his hand and the tree spirit’s wound. “I didn’t know you were alive.”

“Your lack of awareness is apparent.”

He held out the branch, to return it to her.

“No. It is like a child. Once born it cannot re-enter the womb. But know this: It will retain memory of the roots that birthed it.”

“I meant to use it for a gift.”

“Do with it what you will, but don’t steal from me again.”

“And your wound?”

“It will heal in time.” The tree spirit re-entered the white oak.

Hoping to appease her outrage, the abashed god whittled and scraped the wood with care. He risked a glance at the oak when he was finished.

The tree remained silent.

Vulcan admired the smooth and slender staff in his hands. The pale wood required no adornment. And yet, he desired his gift to be impressive. He called upon his cousin, Hermes. “Perhaps you could endow the rod with some contrary magic?”

The nimble messenger god hefted the staff. “You could crack a head with this.”

Vulcan flinched when his cousin smashed it against the stout trunk of a tree. When Hermes threw the rod to the ground and jumped upon it with both feet, Vulcan shouted, “Enough!”


I just finished reading Prospero Lost by L. Jagi Lamplighter. A spinoff of Shakespeare’s The Tempest, the story weaves just about every supernatural creature that you’ve ever heard of into an intricate and contemporary cosmology. Within the first few chapters, the reader discovers that Prospero has gifted each of his nine children a unique magical staff with distinct powers. These staffs are central to this intriguing story.

Tuesday, August 11, 2015

Dreaming Reality

In a novel, dreams are a common device to reveal a character’s inner conflicts, essence, nature, and/or reality.

Even though I’m fascinated with dreams, I used visions more than dreams in Daughter of Light. Everyone dreams but not everyone has visions. Melia’s visions are a signal that she is different from her sisters in Half Faerie.

However, in Half Mortal, Sinjiin teaches Melia that her dreams can prepare her to shift into an animal form.

“What is the next step?” Melia asked.
“You must become the creature in your dreams.”
“How do I do that?”
Sinjiin searched the ground next to him with his hand. He picked up a small black vial that Melia hadn’t noticed before. He held it between splayed fingers. “This is a rare oil. Before you go to sleep at night, spread one drop across your upper lip. This way you will be inhaling the fumes throughout the night. It will activate a deeper consciousness, the place in you that understands the fluidity of who you are.”
Melia held up the vial. “What if this doesn’t work? What if I can’t have the dream?”
“You’ll have a dream. It might not be the one which you hope for, but you’ll have one. The rest of the work is bringing your dream-self and awake-self closer and closer until there is no separation. You shift in your dreams; you shift when you’re awake. Back and forth, until it is as natural as breathing.”

The above scene draws from the concept of lucid dreaming. In a lucid dream, one is aware that one is dreaming, and can alter the dream narrative, thus manipulating the “dream reality.” In Half Mortal, experiencing a shift into animal form in a dream will lay the groundwork for Melia to manifest the same experience in her waking life.
Recently, I re-read Stephen King’s The Stand (Uncut). It’s a dark christian apocalyptic fantasy. I read the original (cut) version back in the late 70s—yes!—when it was first published. I’d completely forgotten how integral dreams were to the novel’s plot.

WARNING: Spoilers Ahead!

King used dreams in three specific ways in The Stand:

1. Being Called. All the Captain Trips survivors dreamed of Mother Abagail and/or Randall Flagg. Based on their experience of those dreams, each character chose to travel to Boulder or Las Vegas. That was the primary instance of the dreaming in The Stand. It was the most unique use of dreams in the novel.

2. Anxiety/Fear: Both Larry Underwood and Stu Redman experienced dreams which highlighted their anxieties and/or fears. These dreams were specific to the character, i.e. Underwood dreamed about performing (he was a musician and songwriter) and Redman dreamed about the birth of his wife’s child. These dreams showed their anxiety and fears to the reader. They could have taken place in any novel, i.e.. they didn’t have an added supernatural meaning.

3. Guidance: Tom Cullen dreamed about Nick Andros, who gave him guidance. Although Tom didn’t know it, Nick had already died when Tom had this series of dreams. Additionally, Nick spoke to Tom in these dreams, while in “real life” he was mute. The information Nick provided Tom in these dreams was critical to saving another character’s life. While not as unique as the Being Called dreams, these dreams had a supernatural element to them, i.e. they bended the threshold between the dream world and reality.

In 2012, I attended WriteonCon.com, an online writers conference. At that time, my Work-In-Progress opened with a dream. During the conference, more than one agent shared how opening a novel with a dream was enough to send the submission straight to the slush pile. Apparently, opening with a dream is a common for beginning novelists. By the time, the con was over, I pretty much wanted to crawl beneath my desk and shred the first chapter of my WIP. Okay, maybe the entire manuscript! Suffice it to say, I didn’t actually crawl beneath my desk, but I did revise that first chapter … over … and over … and over again!

Thursday, July 30, 2015

Release Day!


These arrived today! And they have been a long time coming. I'm so thrilled to announce the release of the second book in the Daughter of Light fantasy trilogy, Half Mortal.

As a young girl, I was completely unaware that several of my favorite authors were men: J. R. R. Tolkien, C. S. Lewis, and Stephen King. However, as I grew older, I came to realize: WAIT A MINUTE! Where are those female heroes? Now, we have a lot more stories with females front and center. AWESOME! I am proud to add the story told in Daughter of Light to that growing class of fantasy works.

I fell completely in love with Peter Jackson's The Lord of the Rings. I became obsessed with studying how the books were edited for the big screen. The screenwriters did an amazing job. (I'm not discussing The Hobbit!) So when I set out to write the story that would become Daughter of Light, almost a decade ago, I wanted to create something epic along the lines of LOTR. And I wanted to make it more contemporary. And I wanted to make it about women. Check. Check. Check.

Melia takes an amazing journey in Half Mortal. The challenges and adventures she faces in this second installment deepen and strengthen both her identity and her relationships with the people she loves and cares about. She grows far beyond the young half-faerie that she was in the opening pages of Half Faerie.

So, if you haven't begun reading, you can pick up a copy of Isolt's Enchantment. The short novel, introducing the young priest from Idonne and the historic events that lead up to Melia's story, is free!


And if you want to keep reading, or share a gift with a friend or loved one, you can pick up a copy of Half Faerie.

If you've been reading all along, then you can continue with the next installment of Melia's fearless journey and epic transformation in Half Mortal now!

Tuesday, May 5, 2015

Take a trip to the Realm of Faerie!

The Daughter of Light prequel Isolt's Enchantment is Free:


Add Isolt's Enchantment to your Goodreads Shelf


Half Faerie, Daughter of Light #1 is available at these stores:


Add Half Faerie to your Goodreads Shelf



Pre-Order Half Mortal, Daughter of Light #2 at these stores:


Add Half Mortal to your Goodreads Shelf




Sunday, May 3, 2015

On Writing: My Fearless Journey & Epic transformation...

I'm getting ready to go through the final proofreader's edits for Isolt's Enchantment and the moment feels quite momentous.

Last October, when I was collaborating with Billie Limpin on the first book in our Magic Cupcake series, I connected with editor Vince Dickinson. I immediately recognized that his tough stance on things like structure and action balanced my storytelling weaknesses. I'm big into characterization, authentic motivation, dialogue, and world building. So Vince's masculine editing style turned out to be the perfect compliment to my feminine writing/storytelling style.

(Okay, is there such a thing as a masculine or feminine style of editing and/or writing? Oh, yes. I believe there is. Our experience of gender filters the way in which we perceive the world. That does not mean that all women see the world in the same way, or that all men see the world in a diametrically opposed way! Indeed, it's quite complex when you begin to make room for the realities of people like Bruce Jenner whose masculine body houses a feminine psyche—and vice versa. My point is: Vince's editing style feels polar to my innate writing style, and with his editing, my stories feel—yes—much stronger!!!)

So...after Billie and I published Cupcakes & Kisses in December, I made a hard, but I believe, very sound decision. I decided to have Vince edit everything I'd written to-date. Well, I began this "project" with high hopes and much enthusiasm. But I'll be honest, it has been a long and emotionally painful haul.

In August of 2012, Half Faerie Publishing released it's first book: Nandana's Mark. I'd say it had mixed success. Readers in general connected with the characters and the story, while fantasy readers appreciated the world building. However, we didn't realize at the time how much we had to learn about publishing...which is a distinct endeavor from writing.

Since then, we've been working hard behind-the-scenes to produce the highest quality reads that we can. As well as diving deep into the process of cover design, we scavenged all my book reviews (I admit it!), and I dug in to work harder on my craft. Editor H. Danielle Crabtree played a huge part in the initial success of my fantasy series, The Queen of the Realm of Faerie. It was after a long discussion with her, that we made the difficult decision to unpublish the first three books in the series in January of 2014, and transform the story into a trilogy of three epic books, Daughter of Light.

It was another hard choice to send Vince Half Faerie along with Isolt's Enchantment and Half Mortal earlier this year. But we did that, because we want the trilogy to be cohesive, not only in story, but also in style and voice. Vince made very, very minuscule edits to Half Faerie. (What a relief!) But when I received his feedback, I committed to doing one final revision of that book. Which is now finished.

So...as I began, in a few minutes, to correct the scattered typos that remain in Isolt's Enchantment and Half Faerie, I am so excited! Because ... that means ... from this point on, we'll be moving forward with a wonderful fantasy series that I trust readers will love.

And it also means that ... Half Mortal is finally coming in July!


Wednesday, January 7, 2015

Bye Bye, Facebook!

I'm officially off Facebook today. Once you delete your page and/or account they give you two weeks to think about it. I confess, I didn't think too much about it after I did the deleting a couple of weeks ago.

I don't hate Facebook. I just don't really get it. I'm super private. You probably think I'm not, because of various and sundry details I divulge here and there;) But I rarely share things when I'm "in the midst". I just can't. I'm incapable. When I'm deep in the throes of something, anything, good and/or bad, I don't really want to discuss it, post it, update it. I WANT EXPERIENCE IT. Half the time I don't even know I'm "going through something" or "what I think about what I'm going through" until I'm out on the other side!

What would have to tell?!?!?! BwbwuBwbwuBwbwu! Boy, that would make for an exciting post:D

So, when I say I don't get Facebook, I'm just confessing that I don't get how to use it. I've never felt comfortable there. That's why I finally decided to leave. Although, EVERYONE has told me that as an author: YOU MUST HAVE A FACEBOOK PRESENCE!

Oh well.

I DO, however, want to say THANK YOU to all the Facebook users who supported my page and showed up as I bumbled along there for almost two years! THANK YOU!!!!!


If you want to keep up with me, I'm hoping to blog more in 2015, send out an occasional newsletter, and I love Pinterest! You can also find me tweeting on occasion.